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G Lydian Dominant
G · A · B · C♯ · D · E · F
The fourth mode of melodic minor, G Lydian Dominant has both a raised fourth and a flat seventh, so it's Lydian and dominant at once. It matches the overtone series closely, which is why it sounds bright rather than tense despite the alteration. The definitive scale for 7♯11 chords, and a signature sound of jazz fusion.
Left-handed
Practice this Scale
Play-alongs where G Lydian Dominant has been identified to match well with the track.
SHINE ON PART IV | PINK FLOYD STYLE Backing Track In G Minor
Use for creating tension against major and augmented chords, providing a unique expression.